<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xmlns:xhtml="http://www.w3.org/1999/xhtml" xmlns:video="http://www.google.com/schemas/sitemap-video/1.1">
  <url>
    <loc>https://www.chasepearsall.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ea612ae4039682fa5428107/a2984b58-7fbe-4410-9fed-ffb674a8c223/People_Chase.jpg</image:loc>
      <image:title>Chase Pearsall | ABOUT</image:title>
      <image:caption>Senior Editor at Petrol Advertising. I bought my first camera at 14 and learned how to edit on a linear machine that filled a room. Every cut mattered, and every mistake carried weight. The tools have changed, but after more than two decades of editing, every cut still matters. Trailers don’t just sell—they build momentum, shape perception, and resonate long after release.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.chasepearsall.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-04-11</lastmod>
  </url>
  <url>
    <loc>https://www.chasepearsall.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-04-11</lastmod>
  </url>
</urlset>

